The black non-colour is a victim of the popular preconception that associates it with a bad part of reality. Dark colors, implosive, are the mirror of the deep soul, of what is so dense that it traps light, not because it gets rejected or imprisoned but it gets internalized. Roberta Scalvini is a master at…
Read More(Ita) Nata a Brescia nel 1971, Antonella Salvadore matura la sua prima formazione artistica frequentando il DAMS di Bologna; in seguito approfondisce la conoscenza del restauro, al quale si dedica per diversi anni. Nel 2007, sentendo crescere l’esigenza di tornare all’aspetto più creativo del suo lavoro, si iscrive alla LABA – Libera Accademia di Belle Arti di Brescia, presso la quale consegue il diploma accademico in Pittura…
Read More(Ita) Annalisa Gregorio è iscritta al Biennio di Arti Visive dell’Accademia di Belle Arti SantaGiulia di Brescia, dopo la laurea in Pittura all’Accademia di Brera. La sua ricerca si è negli anni spostata dall’ambito pittorico in senso tradizionale e bidimensionale, a quello installativo e in particolar modo ambientale, sperimentando la “tenuta” del livello cromatico nel dialogo con la dimensione plastica e l’aspetto fruitivo dell’opera.
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Trasmuting absence, returning disguised as sculpture. This is the work of Daniele Boi. This twenty-four year old artist flips the traditional and physical idea of sculpture to reach the sculpture as modelling of inner space, of the lack inherent in any human being. When the viewer becomes capable of experiencing the abandonment of one’s ego,…
Read MoreA modern voyage in the unfathomable aesthetic sphere of change. Laura Pelosio follows the emblematic route of metabolism awakening the remote myth of intimate and aesthetic transformation of natural form, deductible through the symbols of her own hermetic and multiple expressions. The meaning of her research thus meets the logic and the enigma of a…
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Using color to define an environment is like painting a three dimentional picture where the observer can enter and explore micro and macro dimensions denoted by their various colors, bang tugged by the many sensory strings that connect colour to our lifes. Logo “Design” di Alberto Casagrande
Read MoreThe selfproduction is a virtual island, a place of our minds, with all the characteristics of an open market in which, via internet, ideas can evolve in both dynamic and custom made ways. The very abstraction of this place re-instates the original characteristics of a pure creative-thought language, within the emerging self-production way. At the…
Read MoreThe form of the Siren and the detail of her structure. Desi Capelli restores and renews in the present day the lost code of new monumentality which over the last century strengthened and provided the great figurative history with the symbolist, decadent, post-futurist and metaphysical school of the Italian “Novecento”. Marine themes, concealed and abyssal,…
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Creativity is the creation of new connections between known facts. Filippo Nicea Bovolini, a first-year student on the “New Technologies of Art” course, understood this very well and skillfully reprocessed fragments of code through the “Processing” programming language.
Read MoreThe work of Francesco Visentini is part of the context of the young Italian figurative research, analyzing with absolute consistency and continuity of research the connections between art, society, politics and religion.
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