(Ita) Nata a Brescia nel 1971, Antonella Salvadore matura la sua prima formazione artistica frequentando il DAMS di Bologna; in seguito approfondisce la conoscenza del restauro, al quale si dedica per diversi anni. Nel 2007, sentendo crescere l’esigenza di tornare all’aspetto più creativo del suo lavoro, si iscrive alla LABA – Libera Accademia di Belle Arti di Brescia, presso la quale consegue il diploma accademico in Pittura…
Read More(Ita) Annalisa Gregorio è iscritta al Biennio di Arti Visive dell’Accademia di Belle Arti SantaGiulia di Brescia, dopo la laurea in Pittura all’Accademia di Brera. La sua ricerca si è negli anni spostata dall’ambito pittorico in senso tradizionale e bidimensionale, a quello installativo e in particolar modo ambientale, sperimentando la “tenuta” del livello cromatico nel dialogo con la dimensione plastica e l’aspetto fruitivo dell’opera.
Read MoreThe work of Francesco Visentini is part of the context of the young Italian figurative research, analyzing with absolute consistency and continuity of research the connections between art, society, politics and religion.
Read MoreArianna Zannoni’s research has continued for several years with coherence, acquiring an extremely refined lyrical language. Able to express herself through different media, from the two-dimensional work to the intervention in the space, from photography to video, Arianna Zannoni has demonstrated the ability to experiment with materials, even when she works on commission – the latest one is the project for the ninth edition of Mechanics of Wonders – and to interpret the concept of space and time with absolute originality.
Read MoreMaddalena Fanconi realized this work to give form to the beginning words of Genesis, and precisely to the ones describing with incomparable power the passage between the second and the third day of Creation: a complex and well-structured artwork, in which she has been able to condense, firstly, the depth of her faith, but at the same time the cultural references guide beyond the piousness, proposing unexpected travel in art history.
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